An Update from Our Artistic Directors

The now-expired Equity 99-Seat Plan enabled Boston Court to grow and develop in ways that would never have been possible if that plan had not existed. Many of our careers were built in 99-seat houses, and we wear that badge proudly. From our first production, The Theatre @ Boston Court has paid actors more than the plan required and, as we hope we have demonstrated, we have challenged ourselves to increase our pay to artists as we are able. It has always been our goal at Boston Court to transition to an Equity contract as the organization grew, and we feel we must continue to give each play what it needs, including working with a blend of Equity and non-Equity actors.

For that reason, as Equity has not provided any options that would enable us to continue to grow slowly to a contract over time, The Theatre @ Boston Court has begun to produce under the new LA 99-Seat Theatre Agreement. Our 2017 season will be composed of only three plays, not our usual four, and will employ the smallest number of actors in our history in order to afford to be in compliance.

While several other theatres have also decided to convert to the LA 99-Seat Theatre Agreement, already a number of theaters have announced that they will not be able to make the leap to the new Agreement. Those theatres will either cease production or find ways to work without an Equity agreement. We mourn the losses this will mean for our beloved theatre community. We treasure the opportunities the 99-seat Plan afforded us, and the rich gift it has been to our vibrant community of passionate and talented theatre artists. We are proud to be part of the amazing LA theatre community, and look forward to continued partnership and collaboration.

Jessica Kubzansky and Michael Michetti | Artistic Directors, The Theatre @ Boston Court/Boston Court Performing Arts Center

Announcing Boston Court’s New Executive Director


January 25, 2017 – Following an extensive nationwide search, Boston Court Performing Arts Center Board Chair Sarah Lyding announced today that Mr. Kyle Clausen will join the organization as its Executive Director, bringing dynamic new leadership to the acclaimed Pasadena cultural institution.

“At an important time in Boston Court’s history, Kyle joins us with strong leadership skills, experience working for various arts organizations we admire, as well as a personal passion for both music and theatre,” said Lyding.  “His vision, business acumen and track record of success are exactly what Boston Court needs as we enter our next chapter, which I am confident will be even more impactful and artistically adventurous than our last.”

Clausen said, “I am delighted to assume this leadership role at Boston Court, and work with Artistic Directors Jessica Kubzansky, Michael Michetti, and Mark Saltzman as well as the strong board and staff whose incredible work has made a name for Boston Court over the past 13 years.  This is an exciting time in the organization’s evolution, and I look forward to continuing and building upon the company’s commitment to new work and artistic excellence.”

Kyle Clausen currently serves as Director of Marketing and Patron Services at Luther Burbank Center for the Arts (LBC), a multi-disciplinary arts center located in Santa Rosa, California that presents a wide-range of performances, innovative education programs, and myriad community events.  At  LBC, Clausen has been responsible for a substantial increase in both earned and contributed revenue, including the highest levels of ticket sales in the organization’s 35-year history. Prior to LBC, Clausen served as Managing Director of Shakespeare Santa Cruz (SSC), a classical repertory theatre company in residence at the University of California, Santa Cruz where he oversaw a significant growth in subscriptions, led a reshaping of the company’s patron service philosophy, and expanded SSC’s programming to Silicon Valley.  He has also held positions in marketing with Mixed Blood Theatre and the Children’s Theatre Company, both of Minneapolis, and began his career as a pianist and music director with more than 40 theatrical productions to his credit. Clausen holds a degree in Art History and Music from the University of Minnesota.

Clausen’s appointment concludes a nationwide search that was launched by the Boston Court Board of Directors in September 2016, in conjunction with KGI Advisors, a Los Angeles-based consulting firm. A search committee was formed, and after a thorough interview process, the board of directors unanimously approved Clausen’s appointment in December 2016.  Clausen will join Boston Court Performing Arts Center full-time onFebruary 20, 2017.

Boston Court Performing Arts Center’s 2017 season begins with The Theatre @ Boston Court’s production of Collective Rage: A Play in 5 Boops(February 18 – March 19), and Music @ Boston Court’s Winter Series (February 17 – March 18).  More information can be found at

The Golden Dragon: Production photos

Photo credit: Ed Krieger

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The Golden Dragon: Review Rundown



CRITIC’S CHOICE “Michetti’s production, incorporating Sara Ryung Clement’s abstract set design of metal scaffolding, projects onto the harsh narrative backdrop a Mary Zimmerman-esque whimsicality. The gushing blood from the young man’s tooth is illustrated with a red ribbon, and the cricket’s dance for the ant is conveyed through a suggestive gestural choreography with chopsticks that has a minimalist beauty all its own.

One sign of Michetti’s masterly direction is the tonal control his actors maintain over the material. They work majestically in unison, transforming as effortless as figures in Ovid to reveal to us the fractured nature of a universe contained in a steaming hot little white carton.”

Click here to read the entire review.

StageRawSometimes a play registers as up front and personal; one’s immediately drawn into the experience of its characters, heartrending or comic or both as the case may be…. Other times you’ll view a drama from a palpable distance as events unfold, on an expansive terrain or canvas. It’s the latter experience you’re likely to have at the Theatre at Boston Court in its production of German playwright Roland Schimmelpfennig’s The Golden Dragon, a collection of fanciful but compelling tales that poses fundamental questions about otherness and identity.

Click here to read the entire review.

the stage struck reviewGo and see “The Golden Dragon”. There are levels of empathy which will stay with you long after you leave, though some of it proves disturbing the more one thinks about it. And there is an amazingly smooth, well articulated piece of performance to revel in. Finally is a theatrical magic which only a live theater can make you believe.

Click here to read the entire review.

SoPasReviewLogoMichael Michetti’s direction is as quick and sharp as a master chef’s knife and at 80 minutes without intermission, the subtle magic of this darkly comic tale stays with you as it aims to shine a light into the dark corners of our global, migratory world. Within the banality of getting through the day, we find the beautiful and the tragic. Forget the American dream, they are just trying to get through the next hour.

Click here to read the entire review.

htp_header2Boston Court should be applauded for bringing meaningful, socially relevant drama to Pasadena. With The Golden Dragon, Michael Michetti delivers a top-notch production that works seamlessly to examine the social disparity and moral decay in contemporary society.

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onstagelosangelesBoston Court is a bold little theater that puts every ounce of energy into every production I’ve ever seen there. Boston  Court  CoArtistic  Director  Michael Michetti’s direction takes The Golden Dragon on a fast paced journey with side trips into Aesop’s Fables as well as fulfilling hopes and dreams in fantastic ways.

Click here to read the entire review.

awesometheaterblogThe cast is exceptional. With every actor taking on several roles, and every one of them completely distinct. We are able to track the journey of each different character even though the actors never leave the stage, never change their costumes, and sometimes barely move from where they were in a previous scene.

Click here to read the entire review.

paulmyrvoldIn a season of outstanding, innovative drama, Boston Court’s production of Roland Schimmelpfennig’s The Golden Dragon (translated by David Tushingham) stands out with boldness of concept and excellence of production. The playwright creates a universal piece that calls for actors to slip seamlessly across lines of race, gender, age and ethnicity. Women play men, men play women, but not always. Older actors play younger people, younger play older. All are Asian cooks in a Thai/Chinese/Vietnamese fast food restaurant called The Golden Dragon.

Click here to read the entire review.

Five exceptional performances, Michael Michetti’s highly imaginative direction, and a breathtaking Theatre @ Boston Court production design add up to reason enough to check out Roland Schimmelpfennig’s The Golden Dragon despite a script more pretentious than profound.

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talkin_broadwayThe Golden Dragon, by Roland Schimmelpfennig, is one of those unusual plays in which your reaction to the play is actually more interesting than the play itself. You can immediately tell why The Theatre @ Boston Court chose to present it in its Southern California premiere—Boston Court has never been one to shy away from pieces that challenge an audience to question its own thought processes.

Click here to read the entire review.

wpid-x9.png.pagespeed.ic_.ijr6gp7skw.pngThe Southern California premiere of playwright Roland Schimmelpfennig’sTHE GOLDEN DRAGON benefits from the sturdy, first-rate technical production values The Theatre @ Boston Court has earned their deserved reputation for. Sara Ryung Clement has cleanly designed a bare-staged set filled only with a two-level scaffolding, complemented by Elizabeth Harper‘s intriguing string LED/fluorescent tube lighting for a variety of landmark silhouettes on the scaffolding.

Click here to read the entire review.

Colony Collapse: Production photos

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Review rundown: Colony Collapse


wpid-latimes.gifCRITIC’S CHOICE “In Kubzansky’s hands, the complex storytelling finds the seamlessness, emotional resonance and magic that are characteristic of her work at Boston Court, where she is co-artistic director, and elsewhere. Set designer Susan Gratch uses curtains of camouflage net to suggest tree trunks. In what would typically be a bucolic place, mystery deepens, foreboding builds. Yet the story is luminescent as well. This cautionary tale about a wounded America never quite gives up hope.”

Click here to read the entire review.
pasadena_star_logo“Take this as metaphor in the aptly named “Colony Collapse” by Stefanie Zadravec, now in a world premiere production at The Theatre at Boston Court in Pasadena. The play examines manifestations of tragedy and loss, and the human resilience that often kicks in, at least eventually, unless the people it happens to are too weakened for that to occur. Beautifully constructed to juxtapose several stories of parents whose children have disappeared against the tale of a teen whose parents are unable to parent him, it proves intense and absorbing from start to finish.”

Click here to read the entire review.

StageRaw“The complex and brutal dynamics of this highly dysfunctional yet entirely relatable family unfold beautifully. The realism of the main characters’ strife finds a lovely counterpoint in the theatricality of a Greek chorus of sorts — a collection of mourning parents who support the main story, along with the poetic insight delivered by an omniscient missing young lady, referred to only as “the girl” (Emily James).”

Click here to read the entire review.

wpid-x9.png.pagespeed.ic_.ijr6gp7skw.png“A Stunning COLONY COLLAPSE Makes For a Completely Engrossing Honey of a Production.”

“COLONY COLLAPSE opens with an intense, involving scene of seamless, overlapping lines of dialogue from the four missing children’s parents, each oh-so painfully describing the moments leading up to each of child’s disappearance. John Nobori’s moody music certainly heightens the doomed, despairing outcomes of their respective situations.”

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stagescene_wow“And then there’s The Girl, who may or may not be the teenager being searched for, a waif inhabiting a reality (or dream world?) all of her own.

As may already be evident, playwright Zadravec has bitten off a good deal in Colony Collapse, so much so that you may find yourself wondering how or if she will ever tie these disparate threads together.

Indeed questions do remain even at the end of the play’s two-hour-forty-minute running time (that’s including intermission), which is just one reason you’ll be talking and thinking about Colony Collapse long after you’ve left Boston Court.”

Click here to read the entire review.

stage and cinema logo“The scenes between these four characters — Mark, Julia, Jason and Nicky — positively crackle with tension, astute character-driven dialogue, and realistic conflict. And when a sheriff and an officer show up later in this 150-minute two-act drama, the fear is so palpable that I want to round up everyone I know to see how powerful theater can be.”

Click here to read the entire review.

Seven Spots on the Sun: video preview

Seven Spots on the Sun, by Martin Zimmerman from Boston Court on Vimeo.